Georgia O’Keeffe never piled on the paint. She worked wet-into-dry, pretty much a single layer of paint requiring serious control to choreograph her textural effects. Within this narrow range that she chose to work, her variations are virtuosic.
Tag Archives | process
Georgia O’Keeffe’s final paintings
In case you missed my zoom talk, it’s now available online! It’s my first reading from the work-in-progress: Digging for Stars: The Art of Georgia O’Keeffe. I won’t deny it — the debut was nerve-wracking. My thanks go out to Susan Post of BookWoman and Stephanie Lowe for making it happen. In her late-80s, nearly […]
You’re invited!
After years of researching and writing, I am giving my first public talk from my book manuscript, “Digging for Stars: The Art of Georgia O’Keeffe.” The talk is FREE, and it’s ONLINE hosted by the fabulous BookWoman bookstore, so you can attend, no matter where you are! Tune in this coming Tuesday, February 22, at […]
Georgia O’Keeffe, Photographer
Georgia O’Keeffe spent 30 years with the legendary American photographer Alfred Stieglitz. She worked alongside him, posed for him, and even spotted prints for him. But she knew not a lick about taking photographs. “Stieglitz used to say I knew less about photography than anybody he ever knew,” she told a journalist in 1962. “Yet, […]
Georgia O’Keeffe: what I meant, what you saw
The young Georgia O’Keeffe, working relentlessly to find her voice as an artist, was ambivalent about viewer reception. She longed for people to understand her art, but she resisted that desire at the same time. Modern art was for art’s sake, and the meaning was hers to know and not necessarily for her viewer to […]
Georgia O’Keeffe: Far, Wide Texas
As a critic and cultural historian, I find myself more curious about an artist’s formative moments than her culminating masterworks. “Georgia O’Keeffe’s Far Wide Texas,” on exhibit at the Georgia O’Keeffe Museum through October 30, gives a rare and exhilarating glimpse into those several years, 1916 to 1918, in Canyon, Texas, when the artist forged […]
How to be original
