When Jesse’s girlfriend brought him to the Georgia O’Keeffe Museum in season three of “Breaking Bad,” he was confounded why anyone would paint a door over and over again. Kinda psycho, he thought.
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Georgia O’Keeffe never piled on the paint. She worked wet-into-dry, pretty much a single layer of paint requiring serious control to choreograph her textural effects. Within this narrow range that she chose to work, her variations are virtuosic.
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