I often wonder what young people think of Georgia O'Keeffe's art. Now more than a century since her breakout solo exhibition in 1923, how are her paintings seen? What fresh contexts are they given? Interpretations?
What new life, if any, will Gen Z offer O'Keeffe? Arielle C. Frommer, for one, has transformed the artist into a Harvard undergrad.
Holiday greetings from Georgia O’Keeffe
Georgia O’Keeffe was not religious in the institutional sense, but she was deeply spiritual and certainly enjoyed a good ritual. She usually celebrated Christmas with friends, and sent Christmas cards, including one in 1963 that reproduced her 1917 masterpiece, “Starlight Night” (above). In the 1970s, according to her then caregiver and secretary Agapita Lopez (now Projects Director at the O’Keeffe Museum’s Abiquiu Historic Properties), “Miss O’Keeffe put farolitos along the wall during Christmas, then she would leave a bottle of whiskey for Los Dias — a time when older men would go through the village and “pedir al ano nuevo” [ask for the new year], going to houses to serenade.”
Here’s hoping that your holidays are starry and bright!
[…] my last post (“Holiday greetings from Georgia O’Keeffe”), I struggled to describe Georgia O’Keeffe’s relationship to religion with any […]
Happy Holidays to you and Ross!
thank you! Keep warm up there.